By Shannon Rose Riley
In this e-book, Shannon Rose Riley presents a seriously wealthy research of representations of Cuba and Haiti in US tradition as a way to examine their value not just to the emergence of empire yet in particular to the reconfiguration folks racial structuresalong more and more biracial strains. in accordance with outstanding study and with broad research of assorted textual and function kinds together with a principally specific set of skits, performs, songs, cultural performances and different well known amusements, Riley exhibits that Cuba and Haiti have been relatively significant to the ways in which humans within the US re-imagined themselves as black or white and that racial positions have been renegotiated via what she calls acts of palimpsest: marking and unmarking, racing and erasing distinction. Riley’s e-book calls for a reassessment of the significance of the occupations of Cuba and Haiti to US tradition, difficult traditional understandings of functionality, empire, and race on the flip of the 20 th century.
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Additional resources for Performing Race and Erasure: Cuba, Haiti, and US Culture, 1898–1940
IMPERIAL SCRIPTS AND VAUDEVILLE SKITS 39 Tannehill’s Flags of the World (1898) is a multi-media spectacle for a cast of over 20 women, musical accompaniment, and projected film imagery that embodies the aims of the Monroe Doctrine and stages US foreign relations with other countries, both colonial and colonized. The play’s cast of characters, all portrayed by “young” women, includes ENGLAND, IRELAND, GERMANY, RUSSIA, CUBA, SPAIN, FRANCE, and AMERICA as well as a dozen additional chorus girls, scantily-dressed as a “living” US flag.
Guss, The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance (Berkeley and Los Angeles: University of California Press, 2000), 11–12. 75. Guterl, Color of Race, 166. Johnson, qtd. in ibid. 76. Jacobson, Whiteness of a Different Color, 142. 77. , 170. 78. OED. 79. Andreas Huyssen, Present Pasts: Urban Palimpsests and the Politics of Memory (Stanford: Stanford University Press, 2003); Marc Treib, Spatial Recall: Memory in Architecture and Landscape (New York: Routledge, 2009).
In particular, it explores the ways that imperial memory required performed amnesia as evidenced in the cultural performance of war slogans like, “Remember the Maine! ” as well as in the Doctrine and Corollary. Once the stakes of imperial forgetting are outlined, the chapter concludes by accounting for some of the “faulty memory” of US empire regarding Cuba and Haiti. ”99 Chapters 3, 4, 5 and 6 look at the emergence of pan-blackness and pan-whiteness vis-à-vis representations of Cuba and Haiti.