Download Love's Labour's Lost (The Complete Shakespeare Translated by by William Shakespeare, Liang Shiqiu PDF

By William Shakespeare, Liang Shiqiu

It's a Bilingual variation of chinese language and English.

中国广播电视出版社从台湾远东图书公司引进版权,出版了梁实秋翻译的《莎士比亚全集》中英文对照版,这是梁译本《莎士比亚全集》以中英文对照的形式首次在内地出版发行。梁译本的最大特点为:白话散文式的风格;直译,忠实于原文;全译,决不删略原文。除此之外,梁译本还有独到之处:一是加了注释。莎翁作品原文常有版本的困难,晦涩难解之处很多,各种双关语、熟语、俚语、典故也多,猥亵语也不少,梁实秋不但直译,而且加了大量注释,帮助读者理解原文。二是每剧前都加了序言。序言中对该剧的版本、著作年代、故事来源、舞台历史、该剧的意义及批评意见等均有论述。

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Read or Download Love's Labour's Lost (The Complete Shakespeare Translated by Liang Shiqiu, Book 7) (Bilingual Edition) PDF

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Extra resources for Love's Labour's Lost (The Complete Shakespeare Translated by Liang Shiqiu, Book 7) (Bilingual Edition)

Example text

After the orchestra is the altar of Dionysos, which is calledthe Thymele [the following diagram is included in the text] : W H E R EW A ST H EA L T A R ? 45 beside this a person sacrifices, and after the “seat,” the arena [literally, “place of dust”], which is below the ground floor of the theatre. Also scenic, which is upon the stage. g Vitruvius makesno mention at all of any altar in his writings on either the Greek or Roman theatre. Such an omission has no particular significance; Vitruvius alsoomits mention of prohedriu, the stone seats of honor that were surely present in the theatres of his time.

On this stone, the date of 534 BCE is recorded as the first known instance of a tragic contest in Athens, with Thespis as the victor. However, the inscription was not cut until 264-263 BCE, some 270 years after these fabled events. Currently, a cloud of very reasonable doubt swirls around the date of 534,one which had hitherto been enshrined among the very few fixed points in the ever-evolving study of Greek theatre. Rush Rehm writesthat “based upon a probable misreading of an inscription on a marble slab calledthe Marmor Parium .

There is little evidence of round dancing in Classical times. Vase paintings usually picture dancers in-line, oftenwith hands linked, typically following a god, a priest, or a flutist. If contemporary folk patterns are to be evoked in determining the dances of the past, it should be noted that present-day Greek dance is serpentine, not circular; a leading dancer guides followers through various seeminglyrandom patterns, much like the figures on the vases. Line dancing does not fit into a circular arena.

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