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Extra info for John Webster: The Critical Heritage (The Collected Critical Heritage : Jacobean Dramatists)
Dutch. Alas! I feel my Fault, and find this Gloom, Like to the sudden Darkness of a Storm, Shew me my Danger. —But, my gracious Brother, Make not my willful Trespass your Discomfort: But let the Affliction, as the Punishment, Fall singly on my self. Ferd. —It cannot be: You were the Sun, the Splendour of our House, And I, like the foolish Indian, gaz’d Almost with Adoration of your Brightness,Am chill’d, and darken’d, by your fading Ray. My lustre is impaired; my Titles sullied; And the rude Finger of Contempt shall mark me As Brother to the wanton, widow’d Malfy, Who married with her Groom.
1623, and dedicated to the Right Honourable George, Lord Berkeley, and since reprinted 40. Lond. 1678. For the Plot, consult Bandello’s Novels in 40 WEBSTER: THE CRITICAL HERITAGE French, by Belleforest, N. 19. Beard’s Theatre of God’s Judgments, Book 2. Ch. 24. The like Story is related by Goulart, in his Histoires admirables de notre temps, p. 226. White Devil, or the Tragedy of Paulo Giordano Ursini, Duke of Brachiano; with the Life and Death of Vittoria Corombona, the Famous Venetian Curtezan: acted by the Queen’s Majesty’s Servants, at the Phoenix in Drury-lane; printed 40.
Mr Collier is, of course, Jeremy Collier, whose ‘Short View of the Immorality and Profaneness of the English Stage’ appeared earlier in the same year. From ‘The Shakespearean Allusion Book’, ed. John Munro (1932), pp. 412–13. ’Tis true, I allow thus far, That it ought to be the chief care of the Poet, to confine himself into as narrow a Compass as he can, without any particular stint, in the two First Unities of Time and Place; for which end he must observe two Things. First upon occasion (suppose in such a Subject as Mackbeth) he ought to falsifie even History it self.