By Marc Epprecht
Within the tapestry of worldwide queer cultures Africa has lengthy been missed or stereotyped. In Hungochani, Marc Epprecht seeks to alter those restricted perspectives by means of tracing Southern Africa's heritage and traditions of homosexuality, glossy homosexual and lesbian identities, and the colourful homosexual rights circulate that has emerged because the Eighties. Epprecht explores the varied methods African cultures commonly defined same-sex sexuality and follows the emergence of recent kinds of gender identification and sexuality that developed with the creation of capitalism, colonial rule, and Christian schooling. utilizing oral testimony, memoirs, literature, felony court docket files, and early executive enquiries from the eighteenth century to the current, he strains the advanced origins of homophobia. by way of bringing forth a wealth of facts approximately once-hidden sexual behaviour, Epprecht contributes to the sincere, open dialogue that's urgently wanted within the conflict opposed to HIV/AIDS. Homosexuality - or hungochani because it is understood in Zimbabwe - has been denounced through many politicians and church leaders for example of the way Western decadence has corrupted African traditions. notwithstanding, a daring, new homosexual rights stream has emerged in numerous of the international locations of the area because the Nineteen Eighties, delivering an exhilarating new measurement within the vast fight for human rights and democracy unfolding at the continent. In a brand new preface to this variation, Epprecht considers the new advances of equality at the continent equivalent to the legalization of same-sex marriage in South Africa, in addition to discriminatory setbacks corresponding to Uganda's anti-homosexuality laws.
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Extra resources for Hungochani: The History of a Dissident Sexuality in Southern Africa (2nd Edition)
Sage, Lorna. Angela Carter. Writers and their Work. Plymouth: Northcote House, 1994. ———. ” Granta 41: Biography (1992): 233–55. ———. 39/40 (1977): 51–57. ———. Women in the House of Fiction: Post-War Women Novelists. London: Macmillan, 1992. 20 Re-visiting Angela Carter: Texts, Contexts, Intertexts Still, Judith, and Michael Worton. Introduction. Intertextuality: Theories and Practices. Ed. Michael Worton and Judith Still. Manchester: Manchester University Press, 1990. 1–44. Ward Jouve, Nicole.
Ed. Lorna Sage. London: Virago, 1994. 257–78. Atwood, Margaret. ” The Observer 23 Feb. 1992: 61. Barthes, Roland. ” 1968. Image/Music/Text. Trans. Stephen Heath. London: Fontana-HarperCollins, 1977. 142–48. ———. Roland Barthes. 1975. Trans. Richard Howard. New York: Farrar, Straus and Giroux, 1977. Baudelaire, Charles. Les Fleurs du mal. 1857 and 1861. Intro. Claude Pichois. 2nd ed. Paris: Gallimard, 1996. Bedford, Les. ” Sheffield University Television. Feb. 1977. Bristow, Joseph, and Trev Lynn Broughton.
For more on Paulin’s reading of Carter see Duggan’s essay in this volume. 4. See, for example, “Notes from the Front Line” (71) and, specifically, the Afterword to the 1987 edition of Love in which Carter describes the novel’s ‘almost sinister feat of male impersonation’ (113). 5. It is a tension between ‘the literary’ and ‘the political’ that is embedded in the two most well-known condemnations of Carter’s engagement with de Sade. Andrea Dworkin, for example, denounces The Sadeian Woman as a ‘pseudo-feminist literary essay’ more concerned with celebrating de Sade than with tackling the implications of the gendered sado-masochistic relations underpinning the pornograph (84), while Susanne Kappeler charges Carter with wantonly elevating Sade ‘as artist and writing subject’ rather than decrying his position as a ‘multiple rapist and murderer’ (134).