By Kazumi Nagaike
Male gay narratives in a number of genres and media—from “high-brow” literature via extraordinary woman authors to “pornographic” comedian books produced and allotted by means of amateurs—have attracted the eye of a few cultural critics in Japan and in a foreign country. This e-book represents the 1st wide severe try to research eastern women's narratives of male homosexuality/homoeroticism, addressing not just pop culture genres, but in addition the huge physique of seriously acclaimed literary works (with English translations of the unique works). the result's an in-depth research of the ways that girl fantasies of male homosexuality/homoeroticism should be composed, said, and interrogated.
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Extra info for Fantasies of Cross-dressing: Japanese Women Write Male-Male Erotica
The prevalence and popularity of yaoi-type narratives in Japan and elsewhere suggests that many women identify in fantasy with apparently male characters, and that a close analysis of the third stage of the “A Boy is Being Beaten” fantasy may help in illuminating the motives behind that tendency. But I do not contend that this analysis is relevant to the sexuality of all women. 24 chapter two boy with her own father. In this sense, female fantasies of male homosexuality could be defined as corresponding exactly with Freud’s penis envy model.
However, this study attempts to discuss yaoi sexuality as bisexual, rather than lesbian. I would like to develop the idea that, while femininity is projected onto these male characters, it never entirely dominates their masculinity. Thus, in yaoi, femininity does not contradict masculinity, but these sexual elements are blended with each other. e. 23 However, Freud’s theoretical stance with regard to bisexual identity is primarily indebted to the patriarchal concept that femininity, as a subordinate form of sexuality, must merge into masculinity, the central sexuality.
In general, female sexuality remains constrained 31 Diegesis is “the (fictional) world in which the situations and events narrated occur” (Gerald Prince, A Dictionary of Narratology, 20). In the case of a framed story, at least two different diegetic levels exist. 32 chapter two within a social context that promotes sexual taboos and guilt concerning women’s recognition (and enjoyment) of their own sexual pleasure. Male homosexual fantasies potentially resolve the psychological reactions provoked by the sexual taboo against women’s active involvement in sexual pleasure, thus providing a medium through which women may strive to become fully sexual beings.