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By John Gyford (auth.)

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They made it possible for a new kind of countervailing power to be deployed, appropriate for an age of depletion (Whitehead, 1985, pp. 254-5). The notion that a changing political culture had its origins in 'the relative deprivation of the times and ... the perceived responsibility of governments for it' was one of three explanations canvassed by Beer in his attempt to account for 'the broad cultural 40 Citizens, Consumers and Councils revolution which swept through Britain during the sixties and the seventies'.

In the media special interest magazines proliferated and selfpublishing became increasingly possible, whilst local and community radio underwent considerable development. By the end of the decade Sunset Radio in Manchester proposed to offer ethnic music embracing Indian, Chinese, Greek, soul and reggae, London Greek Radio was to target the Greek Cypriot community and Bradford City Radio proposed a mixture of Asian, Afro-Caribbean and English music. The emergence of such services seemed to confirm Pressures for Change 35 Young's description of Britain as 'a country of distinct publics ...

As well as the interests of the organised working class' and to recognise that people aligned themselves in relation to 'smaller groupings rather than in the sort of broad class concepts that people saw themselves [in] thirty years ago' (Livingstone, 1981, p. 18). Moreover class was not the only social category to be subject to cross-cleavage or cross-pressure. We saw in the previous chapter how social groups based on race and gender have formed significant 'new' publics for local government. Yet there have been circumstances in which for example the interests of black and white women have not been identical but have cut across one another.

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